A single newspaper wrapper is unlikely to excite me, but this one did because of the recipient’s name and her address. There can’t be too many foreign baroness in the eastern suburbs of Sydney, but Rose Bay would be a likely locale for finding one. The wrapper, without any identifier of the sender, is postmarked twice by BENDIGO/ 2/ 6-P/ 20 NO 19/ VIC on the ‘No Inscription’ type ½d
The South Australian postcard had a purple ‘ONE PENNY’ stamp postmarked by SHIP MAIL ROOM/ S2/ AU 2/ 88/S. A and it was addressed to Hugo Zöller Esq, Poste Restante, Melbourne. The reverse was not seen (Figure 1). Hugo Zöller was born on 12 January 1852 near Schleiden to a Rhenish family in Germany of foundry owners and died in 1933 in München, and he became an explorer and journalist.
The ‘Empire’ Post Card has the pink 1d ‘POSTAGE’ stamp of Victoria which is cancelled with the duplex EXHIBITION/ OC 28/ 07/ MELBOURNE postmark with the barred numeral ‘1197’. It is addressed to Launceston, Tasmania and the message starts off “I am writing this from the Exhibition…… (Figure 1). The reverse of the postcard shows a picture of the Exhibition Buiding and it is inscribed with ‘Souvenir of the Women’s Work Exhibition, Melbourne
A ‘humorous’ postcard has been seen recently at two different sites, but whereas the card may be comical in the U.S.A., Australia’s attitude is most certainly different, particularly at present. The card was used in Tasmania and the vendor stated (noting the missing Tasmania) that Tasmania was “mercifully off the map”. It was described as a circa 1908 colour card by Marchant & Co. with humorous illustration comprising map of
My intent with this humourous card was to find out something about this Sydney University second year Arts student who was sent the card postmarked SYDNEY/ 8 JY 05 – 2PM/ 35 on the red ‘Arms’ 1d N.S.W. stamp. To date this has not been achieved, for after 6 months I am unlikely to obtain an answer from the Registrar’s Office at the University of Sydney (Figure 1). I suspect
I am always intrigued how inadequately addressed mail is sent out into the world, and this postcard really takes the prize. It is an English postcard, identified in green print vertically placed on the left hand side as being produced by the Cyn( )cas Publishing Co., Ltd , Tayport, Fifeshire. The postcard is simply addressed to Miss Isabel Pi( )y, Pekin (sic) China! The red 1d N.S.W. ‘Shield’ stamp is postmarked
This illustrated cover specifically prepared for the Jamboree was postmarked with a faint AUST. JAMBOREE FRANKSTON/ 2.30 P 3 JA 35/ VIC. and it was addressed to Tom Fielding, Penguin, Tasmania. The front had a small printed AUSTRALIAN JAMBOREE FRANKSTON/ VICTORIA 1935, with a kangaroo and a boomerang in the centre, as well as a scout badge. It had a total postage of 1½d made up of the green 1d
This advertising cover is not only intriguing, but it has also been unusually difficult to research, with the information coming in ‘dribs and drabs’ over the past 2 years. The behatted and bearded man catches one’s attention, while he contentedly smokes his pipe. His hat is adorned with ‘CORRECT THING’, and the rest of the inscription apparently reads ‘At Last, Petersburg Va. U.S.A’ (probably referring to the place of origin
When I first considered this paper in 2003, I gave it the title of “Donkey/Mule and Teddy/ Joey”, for I could not differentiate whether the kicking quadriped was a donkey or a mule and whether it represented a monocled Teddy Roosevelt or Joey Chamberlain. Additional research confirmed that Joseph Chamberlain was the subject of this cartoon postcard, which was probably of English manufacture. The postcard has a central kicking quadriped
The pen-and-ink drawings of illustrator Charles Gibson came to represent the spirit of the early twentieth century in America. His illustrations appeared in a number of popular magazines and they both influenced and reflected attitudes, behaviours and mores in the country. The onset of the First World War was said to have ended the public’s romance with Gibson’s images, for the collective outlook changed from confident optimism to reserved cynicism;